Tag Archives: Red Sky Performance

AF and why

Posted on February 21, 2020 by barczablog

Huge preamble coming. If you want to skip to the review itself, look under the photo.I went to see AF and am daring to review it. I feel I need to say this after having read Yvette Nolan’s piece, responding … Continue reading →

Posted in Dance, theatre & musicals, Personal ruminations & essays, Reviews | Tagged AF, bug, Canadian Stage, Christos Hatzis, criticism, crystal pite, dramaturgy, Eddie Elliott, Eliot Britton, Eugenio Barba, Jennifer Brousseau, Joel Ivany, Joyce To, Michael Rourke, Miyeko Ferguson, National Ballet of Canada, Red Sky Performance, Revisor, Rick Sacks, Sandra Laronde, Sela Vai, Thomas Fonua, Yolanda Bonnell, Yvette Nolan | 1 Comment

10 Questions for Rick Sacks

Posted on December 26, 2011 by barczablog

Richard Sacks has been a force on the Toronto creative scene for more than 25 years, as a composer & sound-designer, percussionist, mentor, and likely a few others roles i didn’t think of. He performs with Arraymusic, Art of Time, … Continue reading →

Posted in Interviews | Tagged Arraymusic, Berlin Philharmonic, Bill James, Charles Wuorinen, Continuum, Darren Copeland, David Lidov, Dixie Chicks, Dream in High Park, Evergreen Club Gamelan, Frank Zappa, George Russel’s Othello Ballet Suite, Glass Orchestra, Ian Desouza, Jimi Hendrix, Linda Catlin Smith, Luke Nickel, MaletKat, Mark Fewer, Martin Arnold, MAX, Miles Davis, Morton Feldman, New Music Concerts, New Zealand’s Black Grace Dance Ensemble, Peter Hannon, Pierre Boulez, Red Sky Performance, Richard Sacks, Rick Sacks, Robert Aitken, Robert Desrosiers, SMCQ, Stefan Smulovitz, Stravinsky, Toronto Dance Theatre, Trio Fibonacci | 1 Comment

Tag Archives: Red Sky Performance

AF and why

10 Questions for Rick Sacks

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