Tag Archives: Richard Wagner

Kyle and Corey reflect on the Lion-hearted King and the operas telling their stories

Posted on November 4, 2025 by barczablog

Kyle & Corey, as in Kyle Derek Mcdonald and Corey Arnold are the two creators of The Lion Heart, an opera being presented in concert in Ottawa November 15-16, one of several things they’re doing. I wanted to ask Kyle … Continue reading →

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Robert Lepage’s Macbeth at Stratford

Posted on September 6, 2025 by barczablog

Bruce asked me whether the Scottish play is worth seeing. I had seen it from the front row, able to see every detail of the complex presentation in the Avon Theatre, less Shakespeare’s immortal play than Robert Lepage’s Macbeth. YMMV … Continue reading →

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Inside the Cabinet Full of Curiosities 2, to be randomly presented by Apocryphonia

Posted on May 29, 2025 by barczablog

June 8th Apocryphonia will present a concert at Heliconian Hall titled “A Cabinet Full of Curiosities 2”. As the program says “an eclectic mix of classical music from around the world performed entirely at random!” Alex Cappellazzo, and his Apocryphonia … Continue reading →

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Thinking about Richard Strauss’s death in 1949

Posted on August 29, 2024 by barczablog

On September 8, 1949 composer and conductor Richard Strauss died after a long productive life. I think of him as a romantic composer carrying on the stylistic traditions of Richard Wagner. In Salome and Elektra he was the modernist pushing … Continue reading →

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2024 Met Gala – JG Ballard’s Garden of Time tone deaf to the rabble

Posted on May 16, 2024 by barczablog

The 2024 Met Gala fund-raiser used a JG Ballard story for its theme, The Garden of Time. Ballard is one of my favourite writers, especially his short stories and science fiction. Several have made wonderful films. Art and commerce lurk … Continue reading →

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Gimeno and Moussa: Ligeti, Wagner and Strauss’s Don Quixote

Posted on April 5, 2024 by barczablog

Last night’s brilliant concert at Roy Thomson Hall from the Toronto Symphony was improved by the introductory remarks from Music Director Gustavo Gimeno, explaining his unorthodox choices. The concert may have been titled “R Strauss’s Don Quixote” but Gimeno explained … Continue reading →

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John Holland’s unexpected polemic in The Lost Tradition of Dvořák’s Operas

Posted on February 29, 2024 by barczablog

When I started reading John Holland’s new book, I didn’t expect it to be more than a study of a composer and his operas. That modest goal would already be significant, considering the cognitive dissonance I feel whenever the plural … Continue reading →

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Questions for Tammy Wilson

Posted on February 21, 2024 by barczablog

Tamara Wilson is one of the best singers in the world. Yes we import Europeans to sing opera but some Americans have no equal. We’re lucky to have heard that voice in Toronto, usually the most impressive sound in that … Continue reading →

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Questions for Alexander Hajek

Posted on January 19, 2024 by barczablog

I heard baritone Alexander Hajek singing at the Toronto Vocal Showcase 1.0 in August. He sang well. Full disclosure? I grew up accompanying my brother baritone Peter Barcza. I tend to be harshest with baritone voices ever since. So it … Continue reading →

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Adam Klein reflects on his operatic career (part 2): Peter Gelb, Robert Lepage and more

Posted on January 6, 2024 by barczablog

The reason I interviewed Adam Klein is interest: in his career, his opinions, and anything I might learn. I am a fan. Adam sang in the Lepage Ring, has been in a lot of shows at the Metropolitan Opera and elsewhere. … Continue reading →

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