Author Archives: barczablog

Feline friendly aesthetic

I thought at first I’d call this “life in a cat house”, until I realized it might have some unsavory associations. Last week Erika and I went to visit our friend Eryna Huzan, one of the most hospitable people I’ve … Continue reading →

Posted in Animals, domestic & wild, Art, Architecture & Design, Personal ruminations & essays | 1 Comment

The masquerade continues

I’m already wearing a mask every time I go to a store or a show. I’ve had my shots. For the next little while on this blog I have to be extra careful. I will be changing the focus, seeing … Continue reading →

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Remembrance Day lessons from Mr Bull and Barkley

I played the organ at Hillcrest Church last Sunday. Some years All Saints (November 1st) and Remembrance Day (November 11th) get separate commemorations. In 2023 Remembrance Day (Nov 11th) falls on a Saturday, making it logical to combine the All … Continue reading →

Posted in Animals, domestic & wild, Music and musicology, Personal ruminations & essays, Spirituality & Religion | Tagged , , , , , , , | 4 Comments

Powerhouse Tristan und Isolde

Last night Powerhouse Opera presented an abridged version of Wagner’s Tristan und Isolde at Jeanne Lamon Hall. Powerhouse Opera is a new company begun by soprano Susan Tsagkaris in March 2022, aiming to showcase dramatic / large sized voices with … Continue reading →

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Varieties of inclusivity in COC Boheme

Erika and I watched the Canadian Opera Company’s la bohème today at the Four Seasons Centre using our subscription tickets, a revival of John Caird’s production that we saw in 2013 and again in 2019. As it was the closing … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , | 8 Comments

Toronto Symphony’s virtuoso Beethoven

Last night’s Toronto Symphony concert titled “Beethoven’s Seventh” was another chance to watch the ongoing romance between the TSO and their new music director Gustavo Gimeno. Whether it’s a love of Beethoven or delight in the ongoing lovefest between orchestra … Continue reading →

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Questions for Andrew Ager about New Opera Lyra, The Gothic Trilogy and The Mummy

New Opera Lyra (NOL) completes The Gothic Trilogy with the world premiere of Andrew Ager’s The Mummy on October 27th. This follows the premieres of Frankenstein in 2019 and Dracula last season. Andrew is co-artistic director of NOL, where his … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , | 1 Comment

TOT Pirates

When you’re watching your dog prowling in the back-yard and the phrase “with cat-like tread” pops into your head, you know Gilbert and Sullivan must be on your mind. Of course I knew I was going to attend the Toronto … Continue reading →

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An all-female Magic Flute from OperOttawa

I heard that OperOttawa are presenting Mozart’s The Magic Flute, an opera I’ve heard called misogynistic, in November with a cast that’s 100% female! I had to ask their their artistic director Norman E Brown about it. Barczablog: Do the … Continue reading →

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Topdog/Underdog and questions of greatness

Last night I went to see Topdog/Underdog by Suzan-Lori Parks, promoted as “The Greatest American Play of the past 25 years” according to the NY Times and identified as “a darkly comic fable” in one of the ads. Directed by … Continue reading →

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