Category Archives: Dance, theatre & musicals

Questions for Molly Reisman

Posted on April 25, 2019 by barczablog

The official bio says that Molly Reisman is a Canadian writer, producer and performer who is endlessly curious about how humans connect, empathize and interact with the world around them, that Molly is a graduate of NYU Tisch’s MFA Graduate … Continue reading →

Posted in Animals, domestic & wild, Dance, theatre & musicals, Interviews, Music and musicology, Popular music & culture, University life | Tagged , , , , , , , , , , , | Leave a comment

Questions for Dean Burry: Shanawdithit

Posted on April 20, 2019 by barczablog

I hope you’ll forgive me if I pause to take a breath before I attempt to tell you who Dean Burry is, a man who wears so many hats one doesn’t always know how to address him. Professor? Composer? Librettist? … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera, Personal ruminations & essays, University life | Tagged , , , , , , , , , , , , | Leave a comment

Pondering wandering

Posted on April 14, 2019 by barczablog

I like the sound of that headline. As I do what it says, pondering wandering, I am a bit lost in the ambiguities. If we knew where we were going it wouldn’t be wandering, would it. The time of year … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion | Tagged , , , , , , , , , , | Leave a comment

Boisterously brilliant Bigre

Posted on April 12, 2019 by barczablog

Watching people tortured can be funny. Bigre, a Compagnie le fils du Grand Réseau Production, presented by Canadian Stage in collaboration with Théâtre Francaise de Toronto, opened tonight at the Berkeley St Theatre. In our modern gentrified cities, the impossibly … Continue reading →

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Against the Grain: Vivier’s Kopernikus

Posted on April 6, 2019 by barczablog

Claude Vivier’s Kopernikus has been promoted on social media as “Canada’s most famous unknown opera.” And Joel Ivany is quoted saying “I think this is Canada’s greatest opera ever written.” After seeing what Against the Grain did with Vivier I’m … Continue reading →

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Idomeneo: Marshall Law

Posted on April 5, 2019 by barczablog

The question running through my head as I watched tonight’s opening of Opera Atelier’s Idomeneo at the Ed Mirvish Theatre was: “who is the star?” In this their first performance in a new venue I could say “it’s the space”.  … Continue reading →

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887: a quest for redemption for Robert Lepage

Posted on April 2, 2019 by barczablog

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading →

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TCO Traviata

Posted on March 29, 2019 by barczablog

Toronto City Opera? While the name is new to me, reading the history I see the lineage, going back over forty years to the legacy of Giuseppe Macina’s Toronto Opera Repertoire. You can read more of their history here. This … Continue reading →

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The Woods are Dark and Deep: is good

Posted on March 25, 2019 by barczablog

You will laugh, you will cry, and you will certainly enjoy The Woods are Dark and Deep, a new work I have just seen today at the Factory Theatre, from Pulse Theatre. When you go see a new work performed … Continue reading →

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Musique 3 Femmes – Next Wave Workshop

Posted on March 24, 2019 by barczablog

The Wednesday March 20th noon-hour sample of Next Wave was a small sample of the riches we encountered in tonight’s Workshop, presented with the support of Tapestry Opera & hosted at their Ernest Balmer Studio. And there was a social … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 1 Comment