Category Archives: Music and musicology

Filmscore 101 with Michael Kamen

Posted on June 30, 2015 by barczablog

I was already thinking about the art of the film score composer, having recently given James Horner’s work a look in the wake of his untimely death. A question I sometimes ponder: what is the hardest sort of music to … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Personal ruminations & essays | Tagged , , | 2 Comments

Remembering the films and the music of James Horner

Posted on June 24, 2015 by barczablog

Some say that if done right you shouldn’t notice the music in a movie. Of course that’s one ideal and it’s a much more self-effacing idea of how a composer should approach the task of composing a score for the … Continue reading →

Posted in Music and musicology | Tagged , , , , , , | 4 Comments

The Hutcheons launch Four Last Songs with, what else: singing

Posted on June 17, 2015 by barczablog

When multi-disciplinary authors launch a book, you see people from many places & walks of life.  Whatever else you might say about Linda & Michael Hutcheon, they know some very cool people.  I saw singers, librarians, academics from several departments, … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , | Leave a comment

Toronto Symphony – Pan American Rhythms

Posted on June 15, 2015 by barczablog

This weekend the Toronto Symphony began a summer of the arts celebrating the Pan Am Games coming to Toronto. There’s much more to come, for example… Toronto Summer Music celebrate their tenth year with a festival titled “The New World” … Continue reading →

Posted in Music and musicology, Reviews | Tagged | 1 Comment

Mahler’s Resurrection Symphony with the TSO

Posted on June 11, 2015 by barczablog

It’s been a long time between Mahler 2nds with the Toronto Symphony. I heard Andrew Davis lead them with Maureen Forrester in Massey Hall, one of several cherished memories from the old days on Shuter Street, aka the 1970s. Given … Continue reading →

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Goodyear plays Rachmaninov

Posted on June 7, 2015 by barczablog

Now I have a better idea what we missed. Stewart Goodyear was in the news recently when the Toronto Symphony hired him to replace the scheduled pianist at the last minute: until he withdrew due to online harassment. On social … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment

#AtGdeathdesire: more desire than death

Posted on June 3, 2015 by barczablog

If yesterday’s Dora announcement is anything to go by the youthful Against the Grain crew are a force to be reckoned with, as they’re up for several awards. Tonight AtG opened their latest, Death & Desire. Reading the lists of … Continue reading →

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Operatic Doras

Posted on June 2, 2015 by barczablog

Awards are a wonderful way to celebrate excellence.  They serve to promote individuals and their performances, while also raising the profile of an entire industry.  I hope that nothing I say here in any way diminishes the work done by … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | 1 Comment

Toronto Consort—a new Play of Daniel

Posted on May 23, 2015 by barczablog

I saw something brand-new, from the 12th century. It’s one of the ironies of theatre or music that sometimes recent works give you comparatively little room for invention, every page stipulating how it must be interpreted. If you want real … Continue reading →

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Andrew Davis – Verdi Requiem

Posted on May 22, 2015 by barczablog

The Toronto Symphony are celebrating a 40 year relationship with Sir Andrew Davis, their one-time music director (from 1975-1988) and currently their Conductor Laureate, with a series of concerts over the next couple of weeks. Tonight’s concert featured Verdi’s Requiem, … Continue reading →

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