Category Archives: Music and musicology

Bicycle Opera: Program A

Posted on July 25, 2014 by barczablog

Sometimes the writer recognizes that words are limited, that in the end “you had to be there” especially for something that’s more of an event or happening, than merely a conventional performance. It was never truer than this morning as … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , | 5 Comments

Emerson String Quartet’s Modern Age

Posted on July 23, 2014 by barczablog

The Emerson String Quartet kicked off Toronto Summer Music with a concert tonight. I’m sure some people were there to hear Beethoven’s Op 95 quartet, many more to hear Schubert’s “Death & the Maiden” quartet, while comparatively few were there … Continue reading →

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Ten Questions for Jonathan Crow

Posted on July 22, 2014 by barczablog

Jonathan Crow is a young violinist making in impact on several fronts. This fall will be Crow’s fourth season as Concertmaster of the Toronto Symphony. He is also an avid chamber musician, including his role as a founding member of … Continue reading →

Posted in Interviews, Music and musicology | Tagged , , , | 1 Comment

Late night reading

Posted on July 15, 2014 by barczablog

Whether it was a virus, a cold or summertime allergies isn’t the point. I’ve been awake at night, coughing, sneezing, blowing my nose, and otherwise trying not to be a nuisance to anyone unlucky enough to be under the same … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , | 1 Comment

Ten Questions for Hugh Ritchie

Posted on July 10, 2014 by barczablog

I first met Hugh Ritchie at Ryerson this winter, where we worked together on an adaptation of Dickens’ Martin Chuzzlewit. At one point in the show he was all pastoral Americana, singing a down-home “Little Brown Jug”, even though he … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Politics, Popular music & culture | Tagged , , , | Leave a comment

Great and Big

Posted on July 3, 2014 by barczablog

Franz Schubert wrote two symphonies in C Major. Indeed he wrote two in D major and two in B-flat major as well. The two C Major symphonies are sometimes distinguished by size. One is called “the little C Major Symphony”, … Continue reading →

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When The Sun Comes Out

Posted on June 27, 2014 by barczablog

On the occasion of World Pride in Toronto, Queer Innovative Theatre has brought Leslie Uyeda’s recent opera When The Sun Comes Out to Toronto for two performances at the intimate Ernest Balmer Studio. If you’ve read about it you’ve probably … Continue reading →

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Ideal Pelléas

Posted on June 15, 2014 by barczablog

It may be redundant to speak of an ideal Pelléas et Mélisande. The work is symbolist, which means it’s by definition a kind of ideal work. And notice I did not say “An” or “The” ideal Pelléas. It was “Ideal … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Personal ruminations & essays | Tagged , , | 4 Comments

Richard Wagner: A Life in Music

Posted on June 14, 2014 by barczablog

I just finished Martin Geck’s Richard Wagner: A Life in Music in Stewart Spencer’s 2013 translation. Published only in 2012 as Richard Wagner: Biografie you can judge for yourself how good this book must be, that its translation was pushed … Continue reading →

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Dueling ear-worms: surrender and adventure

Posted on June 6, 2014 by barczablog

It ís Friday, a national holiday I am told. Does it matter why? People need to celebrate, and yes, people sometimes need to rest. I didn’t realize how tired I was. I boarded the plane Wednesday night in Toronto. When … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion | 1 Comment