Category Archives: Music and musicology

Yapping dog

Posted on June 6, 2014 by barczablog

I m far away. Far from home. Far from work.  I’m on vacation, musing about where this compulsive blogging fits in. Everything in a blog is necessarily about the person writing. Sure, the topic may be foreign cars or foreign … Continue reading →

Posted in Animals, domestic & wild, Music and musicology, Opera, Popular music & culture, Psychology and perception | Tagged , , , , , , | 1 Comment

Recreation

Posted on June 3, 2014 by barczablog

Eleanor Farjeon used a word in one of her lyrics, a word that always catches my eye. She is not a one-hit wonder.  She’s a two-hit wonder, and her hits are hymns. Farjeon’s contribution was lyrics rather than music. While … Continue reading →

Posted in Books & Literature, Music and musicology, Personal ruminations & essays, Psychology and perception, Spirituality & Religion | Leave a comment

A Poet’s Love

Posted on May 28, 2014 by barczablog

Writing in Opera’s Second Death, Slavoj Zizek claims that opera served a purpose at one point, before Freud & the invention of psychotherapy.  Watching “A Poet‘s Love”, tonight’s concert from Talisker Players & baritone Alexander Dobson , I had parallel … Continue reading →

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Franz Liszt and Marie d’Agoult letters

Posted on May 25, 2014 by barczablog

I first encountered the romance between Franz Liszt and Comtesse Marie d’Agoult in Impromptu, a film full of famous artists in the script (Chopin, Liszt, Sand) and on the screen (Judy Davis, Hugh Grant, Mandy Patinkin & Bernadette Peters).  Impromptu … Continue reading →

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Les Adieux

Posted on May 21, 2014 by barczablog

The Canadian Opera Company Ensemble Studio had their annual noon-hour concert to commemorate the departure of some of their members, titled “Les Adieux”. The three performers? Michael Shannon, piano Cameron McPhail, baritone Sasha Djihanian, soprano For most of the concert … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , , | 2 Comments

Louis Riel

Posted on May 17, 2014 by barczablog

When I was young there was a phrase used so often that it became a cliché, something to be joked about. What exactly was the “Canadian identity”, and –other than hockey or maple syrup –what was Canadian culture? As far … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Politics, Popular music & culture, Reviews | Tagged , , , | 3 Comments

Quixotic Ride

Posted on May 10, 2014 by barczablog

On Thursday May 22nd Stephen R. Clarke will be lecturing on “Chaliapin: A Portrait in Recordings” as part of the Canadian Opera Company‘s free noon-hour lecture series.  I wonder if Clarke will play any examples from Massenet’s Don Quichotte?  Unfortunately … Continue reading →

Posted in Music and musicology, Opera, Reviews | 4 Comments

A Celebration of Jeanne Lamon

Posted on May 9, 2014 by barczablog

At the end they handed her a bouquet, and she immediately separated it into discreet flowers, walking among her colleagues handing one to each.  It was a moment that was so typical. Jeanne Lamon has been in the process of … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment

10 Questions for Amanda Smith

Posted on May 1, 2014 by barczablog

Amanda Smith is Artistic Director & Resident Stage Director of FAWN Opera, a new company I’ve recently seen for the first time.  In the middle of April they presented l’Homme et le Ciel a new opera in progress (review).  Her … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , | 2 Comments

Back for More Moore, Bacon (and Brandt)

Posted on April 29, 2014 by barczablog

Today I revisited the AGO show “Francis Bacon Henry Moore Terror and Beauty” (or FBHM for short) that I wrote about at the beginning of April.  I’m on holiday today even if it’s a rainy spring day.  I saw the … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Reviews | Leave a comment