Category Archives: Opera

SOLT’s Der Vampyr

Posted on August 1, 2015 by barczablog

It might seem dangerous to see Marschner’s opera Der Vampyr (The Vampire) on a full moon, but we lived to tell the tale. Der Vampyr was staged by Summer Opera Lyric Theatre and Research Centre (aka “SOLT”).  While SOLT offers … Continue reading →

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DIVE preview mesmerizing

Posted on July 31, 2015 by barczablog

I attended the preview performance of DIVE tonight, a new work from The Mermaid Collective: Nik Beeson, Alex Fallis, Fides Krucker and Richard Sanger. It’s quite erotic & funny, a little bit political and a powerful evocation of remembered passion. … Continue reading →

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Der Vampyr and the birth of horror

Posted on July 29, 2015 by barczablog

I’ve been immersed in blood for the past few weeks. No I am not training to be a butcher or a surgeon.  None of this gore is real. I’ll be teaching a new course at the Royal Conservatory of Music … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera, Personal ruminations & essays | Leave a comment

Ten Questions for Nicole Brooks

Posted on July 29, 2015 by barczablog

Nicole Brooks is a filmmaker, director, performer, singer, playwright, composer, curator, teacher and “art-ivist,” who has devoted over 15 years producing innovative content (for the stage and screen), with a focus on narratives that illuminate the peoples of the African Diaspora. … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Opera | Tagged , , , , | 1 Comment

Mussolini vs The Mermaid: what little girls –and boys—dream

Posted on July 27, 2015 by barczablog

Thursday night is the preview performance of DIVE: Odes for Lighea, Nik Beeson’s new opera at The Array Space. DIVE is based on Giuseppe di Lampedusa’s short story The Professor and the Siren. That’s “siren” as in mermaid. I am … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Politics | 1 Comment

10 Questions for Timothy Vernon

Posted on July 27, 2015 by barczablog

One of the biggest opera stories of the year will come to fruition this fall.  Timothy Vernon, already founder & Artistic Director with Pacific Opera Victoria, will take on the additional role as Artistic Director with Opera Lyra Ottawa, sometimes … Continue reading →

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Partnerships: the next evolutionary step

Posted on July 26, 2015 by barczablog

Over the past few years we’ve been watching a new model for opera in Ontario, with the appearance of several small companies: Against the Grain Essential Opera Opera 5 I couldn’t help noticing the latest development, namely companies entering into … Continue reading →

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Ten Questions for Nik Beeson

Posted on July 23, 2015 by barczablog

Nik Beeson is a digital communicator & electro-acoustic composer, and completely new to me. I’ve been listening to the CD for DIVE: Odes for Lighea at the encouragement of Alex Fallis, who will be directing the project in its premiere July … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , | 2 Comments

Remembering Jon Vickers, Canadian Heldentenor

Posted on July 12, 2015 by barczablog

There have been two singers above all the others who mattered to me as I grew up. Both were tenors.  I’ve talked about Jussi Björling, my touchstone of vocal perfection and the subject of a recent pilgrimage in Sweden. The other … Continue reading →

Posted in Opera, Personal ruminations & essays | Tagged , , , , | 10 Comments

The Hutcheons launch Four Last Songs with, what else: singing

Posted on June 17, 2015 by barczablog

When multi-disciplinary authors launch a book, you see people from many places & walks of life.  Whatever else you might say about Linda & Michael Hutcheon, they know some very cool people.  I saw singers, librarians, academics from several departments, … Continue reading →

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