Category Archives: Opera

Barber @ RBA: voice trumps schtick

Today’s noon-hour presentation at the Richard Bradshaw Amphitheatre was a teaser, sampling Act I of the upcoming Ensemble Studio performance of Rossini’s Barber of Seville.  These concerts are usually less than an hour including announcements, but today’s was a very … Continue reading

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Fearless Metro Youth Opera Béatrice et Bénédict

We live in a funny time. On the one hand it’s the era of director’s theatre, when operas can be a departure point for elaborate adventures so extreme that the composer’s work becomes mere background music for interpretations of the … Continue reading

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Ten Questions for Wendy Nielsen

Wendy Nielsen is one of the most influential people in Canada’s opera community. After an international career as a soprano that has included starring appearances at the Metropolitan Opera, Nielsen went on to create a private voice studio. Nielsen is … Continue reading

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“Location location location”

The saying goes like this: “‘There are three things that matter in property: location, location, location.’” It’s also true in theatre. I have a subscription to the Canadian Opera Company, a pair of seats in the second row. When I … Continue reading

Posted in Cinema, video & DVDs, Opera, Personal ruminations & essays, Psychology and perception | 2 Comments

10 Questions for Krisztina Szabó

My stereotype of Krisztina Szabó is inaccurate of course. My questions may have made her laugh, even though she’s too polite to send me packing. In cobbling together a few questions –concerning a pair of 20th century compositions—I was far … Continue reading

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Graceful Orpheus will move you

I can’t think of a performing arts troupe with a more recognizable style than Opera Atelier. For the first twenty years of their existence (give or take a few seasons), they straight-jacketed themselves with the idea of authenticity, portraying themselves … Continue reading

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10 Questions for Alek Shrader

It can be embarrassing when you don’t realize you’ve already seen / heard an artist before.  I didn’t realize I’d seen Alek Shrader before, in his impressive turn as Ferdinand in Adès’s Tempest at the Metropolitan Opera. So in other … Continue reading

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What does this Requiem do? Ivany meets Mozart

The calendar reminds us of the relationship of our society and religion.  This week is one of those times of year when people may make their only annual visit to a church or synagogue, while those who are regular attendees or church … Continue reading

Posted in Music and musicology, Opera, Personal ruminations & essays | Tagged , , , | 2 Comments

Louise in Concert

Concert performances of opera can be a wonderful alternative considering the expense of fully staged productions. Works that would otherwise rarely see the light of day –such as Rossini’s William Tell (hard to sing) or Benjamin’s Written on Skin (recently  composed) —are … Continue reading

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Opera Lyra’s Marriage of Figaro

As the climax of their thirtieth season Opera Lyra present Mozart’s Le nozze di Figaro, beginning with tonight’s opening performance.  This is an opera company that has come back from the brink, bouncing back from financial difficulty with a series … Continue reading

Posted in Opera, Reviews | 3 Comments