Category Archives: Opera

Figaro’s Honeymoon

It’s summertime, a season when young men’s minds turn to mush, in the presence of humidity and hotness of various kinds.  Of course men have no monopoly on this, but I was just mis-quoting Tennyson.  I’m thinking of this as … Continue reading

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Altared Figaro

If the dress fits, wear it! Against the Grain’s modern adaptation of The Marriage of Figaro, namely Figaro’s Wedding accomplishes almost everything it set out to do: tell the familiar story in a new way give us all that amazing … Continue reading

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Sympathy for the Bedevilled

It’s an odd week.  Since seeing the COC production of Dialogues des Carmelites I have the “Salve Regina” in my head, particularly the last two pages of the score, where Blanche appears.  I also hear the complementary sonorities of Ravel’s … Continue reading

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Carsen Dialogues

I like to read a director’s notes before seeing a show, because they often contain clues about what you’re going to see. Robert Carsen’s take on Dialogues des Carmelites is a case in point. The production has been mounted all … Continue reading

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Wagnerian Bicentennial

We’ve come to the first of the three important opera composer birthdays in 2013. May 22:  Richard Wagner’s bicentennial October 10:  Giuseppe Verdi’s bicentennial November 22: Benjamin Britten’s centennial You may prefer Britten’s operas. You may point to the box … Continue reading

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Book of Dialogues

Momento #1 of that production I haven’t yet seen was the DVD.  I reviewed it a few weeks ago, fascinated to see Robert Carsen’s take on Poulenc’s opera Dialogues des Carmelites in its La Scala incarnation from 2004. I stumbled … Continue reading

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Stuart Hamilton: Opening Windows

I don’t believe there’s anyone who was involved in more aspects of Canadian operatic performance than Stuart Hamilton.  I say “was” because many of those are in the past now, but even so, let’s make a list. Hamilton founded Opera … Continue reading

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Erlösung dem Erlöser

There have been many reviews published already, some in exquisite detail, so I assume that if you want to know about the new Metropolitan Opera Parsifal, the François Girard co-production with Opera Lyon (2012) & the Canadian Opera Company (TBA), … Continue reading

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Metropolitan Opera 2013-2014

Depending on your taste, there are good and bad things in Peter Gelb’s announcement of the 2013-2014 season at the Metropolitan Opera. I am most excited by an item that seems to currently be under the radar.  Dmitri Tcherniakov will … Continue reading

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Pageants of Power

Whenever a new pair of presenters come out onto the stage at the Academy Awards, the pit band begins to play something suitable. Nobody does that when I walk into a room. I was thinking about this after reading some … Continue reading

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