Category Archives: Opera

Post

Posted on September 7, 2013 by barczablog

When i go to write a new piece here on the blog, i follow the tab to “new post”.  We were promised a paperless office, a paperless world long ago, but it never happened.  It’s funny to keep bumping into … Continue reading →

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Filet of Carmen

Posted on September 7, 2013 by barczablog

Considering that the heroine of Bizet’s opera usually ends up stabbed, I want to make clear that the headline refers to Peter Brook’s La Tragédie de Carmen, a much shorter version of the original, and not the violence meted out … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , | 7 Comments

Histories

Posted on September 5, 2013 by barczablog

As I revised the outline for “The Most Popular Operas” (a course I teach here at the University of Toronto School of Continuing Studies, beginning September 18th), I was asked as usual to recommend books. I used to suggest Roger … Continue reading →

Posted in Books & Literature, Opera, Personal ruminations & essays, Reviews | Tagged , , , | 3 Comments

Adam Klein – Winterreise

Posted on August 26, 2013 by barczablog

On his Vimeo webpage Eric Solstein says  “This amazing performance by Adam Klein & Craig Ketter of the Schubert song cycle will be the soundtrack to a film I’m just finishing. It’s too powerful not to be available on its … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Reviews | Tagged , , , , , , | 3 Comments

Diva distress

Posted on July 27, 2013 by barczablog

Nothing is quite so delicious as a delicacy imperilled.  We love our rare wines, cheeses, hard to find films & DVDs.  Part of the enjoyment is in boasting of your exclusive enjoyment. It’s summertime, when some go to see operas … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays | Tagged , , , | 2 Comments

Figaro’s Honeymoon

Posted on June 3, 2013 by barczablog

It’s summertime, a season when young men’s minds turn to mush, in the presence of humidity and hotness of various kinds.  Of course men have no monopoly on this, but I was just mis-quoting Tennyson.  I’m thinking of this as … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , | 1 Comment

Altared Figaro

Posted on May 30, 2013 by barczablog

If the dress fits, wear it! Against the Grain’s modern adaptation of The Marriage of Figaro, namely Figaro’s Wedding accomplishes almost everything it set out to do: tell the familiar story in a new way give us all that amazing … Continue reading →

Posted in Music and musicology, Opera, Reviews | 3 Comments

Sympathy for the Bedevilled

Posted on May 26, 2013 by barczablog

It’s an odd week.  Since seeing the COC production of Dialogues des Carmelites I have the “Salve Regina” in my head, particularly the last two pages of the score, where Blanche appears.  I also hear the complementary sonorities of Ravel’s … Continue reading →

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Carsen Dialogues

Posted on May 24, 2013 by barczablog

I like to read a director’s notes before seeing a show, because they often contain clues about what you’re going to see. Robert Carsen’s take on Dialogues des Carmelites is a case in point. The production has been mounted all … Continue reading →

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Wagnerian Bicentennial

Posted on May 22, 2013 by barczablog

We’ve come to the first of the three important opera composer birthdays in 2013. May 22:  Richard Wagner’s bicentennial October 10:  Giuseppe Verdi’s bicentennial November 22: Benjamin Britten’s centennial You may prefer Britten’s operas. You may point to the box … Continue reading →

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