Category Archives: Opera

Carsen’s Iphigenia

Posted on September 23, 2011 by barczablog

Robert Carsen has once again held up a mirror to an opera by Gluck with the help of the Canadian Opera Company.  Last season it was an award winning production of Orfeo ed Euridice.  Tonight I saw Iphigenie en Tauride, … Continue reading →

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Fleeting fame

Posted on September 9, 2011 by barczablog

I held a piece of history in my hands. And then after keeping it a few days overdue, I returned it to the library. I am speaking of a score for an opera signed by its composer.  The opera?  Aphrodite, … Continue reading →

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Il Trovatore

Posted on July 10, 2011 by barczablog

Verisimilitude may be a tad over-rated.  Tonight I witnessed a concert performance of Verdi’s Il Trovatore by Toronto’s Opera By Request.  It’s habitual to apologize for what’s missing in these virtual renditions, that have music stands instead of sets, and … Continue reading →

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Svadba-Wedding

Posted on June 25, 2011 by barczablog

I experienced one of the great joys tonight at a new opera.  For awhile I was lost.  In a world of GPS precision and universal surveillance, it’s very hard to be so engrossed as to not know where you are. … Continue reading →

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Bohème against the grain

Posted on June 3, 2011 by barczablog

It’s been attempted before: taking that well-known and perhaps overly-familiar opera, Puccini’s La bohème, and reinventing it. Baz Luhrmann tried it with some success. So did Jonathan Larson, with Rent (another success). You can’t blame people for wanting to attempt … Continue reading →

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Che faro senza COC?

Posted on May 27, 2011 by barczablog

Tonight, my last opera of the Canadian Opera Company 2010-2011 season, was my second trip into the special world of Robert Carsen’s Orfeo ed Euridice. I didn’t talk about the visuals in my review (awhile ago) because I strive to … Continue reading →

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Lepage’s Walküre, or “Welcome to The Machine, part two”

Posted on May 15, 2011 by barczablog

It doesn’t matter how big they are.  Whether we’re speaking of fame or stature, every singer in the current Metropolitan Opera productions (both Das Rheingold and Die Walküre) directed by Robert Lepage & his Ex Machina group shares the stage … Continue reading →

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Rheingold by Request

Posted on May 14, 2011 by barczablog

A concert performance of Wagner’s Das Rheingold can be many things, but above all, it’s a colossal job.  For almost three hours, a group of singers breathes life into Gods, giants, dwarves, and Rhine-maidens, while a pianist impersonates a huge … Continue reading →

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Adrianne’s Ariadne

Posted on May 13, 2011 by barczablog

You know you’re an opera fan when___ .  There are lots of ways to complete the sentence, but how about this one(….?): you know you’re an opera fan when you come out of the Lion King, humming Ariadne auf Naxos.  … Continue reading →

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Lion Taymor

Posted on May 11, 2011 by barczablog

I knew I was going to use a punny headline of some sort, this was perhaps the least offensive among my options.  I saw The Lion King tonight, admittedly years after its opening, and awhile after its first appearance in … Continue reading →

Posted in Dance, theatre & musicals, Essays, Opera | Tagged , , , , , , , , , | 3 Comments