Category Archives: Opera

Rigoletto, second cast

Posted on October 18, 2011 by barczablog

I had another look/listen to the Canadian Opera Company’s Rigoletto Oct 17th in a performance that was substantially different from the cast that opened earlier this autumn: a different tenor a different soprano a different baritone a different conductor Christopher … Continue reading →

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10 Questions for Robert Pomakov

Posted on October 15, 2011 by barczablog

Robert Pomakov is singing the role of Monterone in the Canadian Opera Company’s new production of Giuseppe Verdi’s Rigoletto.  I ask him ten questions: five about himself and five about the role. 1) Which of your parents do you resemble … Continue reading →

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A Man’s World

Posted on September 30, 2011 by barczablog

I saw the new Canadian Opera Company production of Rigoletto directed by Christopher Alden tonight.  It makes a nice companion to the Robert Carsen Iphigenia in Tauris that premiered last week to such acclaim.  Both productions are like close analyses … Continue reading →

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Carsen’s Iphigenia

Posted on September 23, 2011 by barczablog

Robert Carsen has once again held up a mirror to an opera by Gluck with the help of the Canadian Opera Company.  Last season it was an award winning production of Orfeo ed Euridice.  Tonight I saw Iphigenie en Tauride, … Continue reading →

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Fleeting fame

Posted on September 9, 2011 by barczablog

I held a piece of history in my hands. And then after keeping it a few days overdue, I returned it to the library. I am speaking of a score for an opera signed by its composer.  The opera?  Aphrodite, … Continue reading →

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Il Trovatore

Posted on July 10, 2011 by barczablog

Verisimilitude may be a tad over-rated.  Tonight I witnessed a concert performance of Verdi’s Il Trovatore by Toronto’s Opera By Request.  It’s habitual to apologize for what’s missing in these virtual renditions, that have music stands instead of sets, and … Continue reading →

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Svadba-Wedding

Posted on June 25, 2011 by barczablog

I experienced one of the great joys tonight at a new opera.  For awhile I was lost.  In a world of GPS precision and universal surveillance, it’s very hard to be so engrossed as to not know where you are. … Continue reading →

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Bohème against the grain

Posted on June 3, 2011 by barczablog

It’s been attempted before: taking that well-known and perhaps overly-familiar opera, Puccini’s La bohème, and reinventing it. Baz Luhrmann tried it with some success. So did Jonathan Larson, with Rent (another success). You can’t blame people for wanting to attempt … Continue reading →

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Che faro senza COC?

Posted on May 27, 2011 by barczablog

Tonight, my last opera of the Canadian Opera Company 2010-2011 season, was my second trip into the special world of Robert Carsen’s Orfeo ed Euridice. I didn’t talk about the visuals in my review (awhile ago) because I strive to … Continue reading →

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Lepage’s Walküre, or “Welcome to The Machine, part two”

Posted on May 15, 2011 by barczablog

It doesn’t matter how big they are.  Whether we’re speaking of fame or stature, every singer in the current Metropolitan Opera productions (both Das Rheingold and Die Walküre) directed by Robert Lepage & his Ex Machina group shares the stage … Continue reading →

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