Category Archives: Reviews

Closer to the Barber

I had another look at the Canadian Opera Company’s production of The Barber of Seville, this time up close (aka my subscription seats which are in the front of the orchestra). It’s an interpretation full of clever touches. The sensibility … Continue reading →

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TSO on the road with Lau, Mendelssohn and Bruckner

Tonight’s Toronto Symphony concert was a kind of farewell before going on a short tour to Ottawa & Montreal. The Roy Thomson Hall audience heard the programme they’re taking on the road. Each of the three works represents a special … Continue reading →

Posted in Music and musicology, Reviews | 3 Comments

A Musical, The Importance of Being

I’ve just seen & heard the Toronto Operetta Theatre’s production of Earnest, The Importance of Being, a recent adaptation of Wilde’s play of (almost) the same name.  It was premiered in 2008 by TOT, music by Victor Davies and book … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 4 Comments

Barber @ RBA: voice trumps schtick

Today’s noon-hour presentation at the Richard Bradshaw Amphitheatre was a teaser, sampling Act I of the upcoming Ensemble Studio performance of Rossini’s Barber of Seville.  These concerts are usually less than an hour including announcements, but today’s was a very … Continue reading →

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Fearless Metro Youth Opera Béatrice et Bénédict

We live in a funny time. On the one hand it’s the era of director’s theatre, when operas can be a departure point for elaborate adventures so extreme that the composer’s work becomes mere background music for interpretations of the … Continue reading →

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#OdysseoTO: the Golden Age of The Circus

I saw Cavalia’s show Odysseo today at their big tent on the waterfront, in the company of my Mom & a rapturous grand-child.  The world has certainly changed. I’m reminded of the Commedia dell’Arte that was featured in the Barber … Continue reading →

Posted in Dance, theatre & musicals, Reviews | 5 Comments

Graceful Orpheus will move you

I can’t think of a performing arts troupe with a more recognizable style than Opera Atelier. For the first twenty years of their existence (give or take a few seasons), they straight-jacketed themselves with the idea of authenticity, portraying themselves … Continue reading →

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Louise in Concert

Concert performances of opera can be a wonderful alternative considering the expense of fully staged productions. Works that would otherwise rarely see the light of day –such as Rossini’s William Tell (hard to sing) or Benjamin’s Written on Skin (recently  composed) —are … Continue reading →

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Slattery & La Nef bring “Dowland in Dublin” to Toronto

The concept was discovered almost by accident. At a Christmas Party a few years ago, members of La Nef attempted to play the music of John Dowland as though he were Irish. It turns out that there’s evidence that Dowland … Continue reading →

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Opera Lyra’s Marriage of Figaro

As the climax of their thirtieth season Opera Lyra present Mozart’s Le nozze di Figaro, beginning with tonight’s opening performance.  This is an opera company that has come back from the brink, bouncing back from financial difficulty with a series … Continue reading →

Posted in Opera, Reviews | 3 Comments