Tag Archives: Canadian Opera Company

A first look at La Reine-Garçon

Posted on February 3, 2025 by barczablog

I attended the Canadian Opera Company’s presentation of La Reine-Garçon, their co-production of a new opera with a libretto by Michel Marc Bouchard and music composed by Julien Bilodeau. Today, February 2nd, is Bouchard’s birthday. In addition to this libretto … Continue reading →

Posted in Opera, Reviews | Tagged Aline Kutan, Anne-Marie Beaudette, Canadian Opera Company, Johannes Debus, Julien Bilodeau, Kirsten MacKinnon, kulning, La Reine-Garçon, Michel Marc Bouchard, Opéra de Montréal, Owen McCausland, Philippe Sly, Queen Hezumuryango, The Girl King, Wesley Harrison | 2 Comments

Varieties of virtuosity: an interview with Piano Lunaire founder Adam Sherkin

Posted on February 2, 2025 by barczablog

Last month I was delighted to discover Adam Sherkin at a free noon-hour concert in the Richard Bradshaw Amphitheatre, a brilliant pianist & composer I probably should have heard sooner and founder of Piano Lunaire. I jumped at the chance … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged Adam Sherkin, Barbara Hannigan, Boris Lysenko, Brian Current, Canadian Opera Company, Franz Josef Haydn, Franz Liszt, Julien Bilodeau, La Reine-Garçon, Leon Fleisher, opera, paraphrase, piano, Piano Lunaire, Sergei Rachmaninoff, Stewart Goodyear, Thomas Adès, Udo Steingraeber, virtuosity, virtuoso | Leave a comment

Paraphrases on La Reine-garçon from Sherkin & Bilodeau

Posted on January 24, 2025 by barczablog

Today was my first time attending a noon-hour Canadian Opera Company concert in a long time, tempted by a few magic words: a world premiere performance of excerpts from a suite of paraphrases composed by Julien Bilodeau, whose opera La … Continue reading →

Posted in Music and musicology, Opera | Tagged Adam Sherkin, Canadian Opera Company, Gyorgy Ligeti, Julien Bilodeau, La Reine-Garçon, paraphrase, piano, Piano Lunaire | 1 Comment

Faust Adaptations

Posted on November 4, 2024 by barczablog

Today I saw the closing performance of the Canadian Opera Company’s new production of Gounod’s Faust, in a week when it seemed everyone was selling their soul to the devil even without the manifest falsehoods of politicians at election time. … Continue reading →

Posted in Cinema, video & DVDs, Opera, Personal ruminations & essays | Tagged Ariane Cossette, Canadian Opera Company, Centre Stage, Cesare Siepi, Charles Gounod, F W Murnau, Faust, Franz Schubert, Gretchen am Spinnrade, Hector Berlioz, Jerome Hines, Jessica Harper, Johannes Debus, Kyle Ketelsen, La Damnation de Faust, Nabucco, Paul WIlliams, Phantom of the Paradise, Robert Lepage, Szymon Mechlinski, Walpurgisnacht Ballet | Leave a comment

Nabucco not as written

Posted on October 23, 2024 by barczablog

I had another chance to see the Canadian Opera Company’s Nabucco last Saturday, this time using my subscription seat. The first time courtesy of the COC comp ticket I watched and listened as a reviewer, while this time it was … Continue reading →

Posted in Music and musicology, Opera | Tagged a cappella, Canadian Opera Company, Giuseppe Verdi, Nabucco, Paolo Carignani, Sandra Horst | 2 Comments

Ambitious COC Faust

Posted on October 14, 2024 by barczablog

The Canadian Opera Company have a new production of Charles Gounod’s 1859 opera Faust, telling the tale of the old man who sells his soul to the devil for youth and romance. Gounod’s opera is but one of the many … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Emma Ryott, Faust, Guanqun Yu, Johannes Debus, Jules Barbier, Korin Thomas-Smith, Kyle Ketelsen, Long Long, Megan Latham, Michel Carré, opera, Szymon Mechlinski, theatre | Leave a comment

COC’s timely Nabucco

Posted on October 6, 2024 by barczablog

I’ve just seen the Canadian Opera Company’s new Nabucco, a production of Giuseppe Verdi’s 1842 work from Lyric Opera of Chicago greeted by a rapturous audience at Four Seasons Centre this afternoon. I never thought that Nabucco could feel so … Continue reading →

Posted in Opera | Tagged Abigaille, Canadian Opera Company, COC, Giuseppe Verdi, Mary Elizabeth Williams, Matthew Cairns, Nabucco, Paolo Carignani, Rihab Chaieb, Roland Wood | Leave a comment

The lessons of James Morris’s Wotan for this Canadian

Posted on July 1, 2024 by barczablog

It’s Canada Day. I live in Toronto and am a subscriber to the Canadian Opera Company. I was remembering examples I’ve seen south of the border at the Metropolitan Opera. Yes they import talent, bringing in Italians to sing Verdi … Continue reading →

Posted in Cinema, video & DVDs, Opera | Tagged Canada Day, Canadian Opera Company, David Ferguson, James Morris, John Tomlinson, Perryn Leech, Wotan | 8 Comments

After last performance of Don Pasquale, looking back and ahead plus two anonymous voices

Posted on May 19, 2024 by barczablog

This afternoon we watched the Canadian Opera Company’s closing performance of the Renaud Doucet–André Barbe Don Pasquale at the Four Seasons Centre, bringing their spring season to a boisterous close. The unexpected adjective I’d apply to the colourful production is … Continue reading →

Posted in Opera | Tagged Aisling Murphy, André Barbe, Canadian Opera Company, Canadian talent, Crow's Theatre, Don Pasquale, Jacques Lacombe, Joshua Hopkins, Misha Kiria, Paolo Santalucia, Perryn Leech, Renaud Doucet, Santiago Ballerini, Simone Osborne | Leave a comment

COC Medea explores truth

Posted on May 6, 2024 by barczablog

Yesterday I attended the Canadian Opera Company’s Sunday matinee of Luigi Cherubini’s Medea. The main character may tell a lot of lies but that didn’t stop the audience from cheering her on in one of the darkest operas imaginable, a … Continue reading →

Posted in Opera | Tagged Alfred Walker, Canadian Opera Company, Chiara Isotton, Lorenzo Passerini, Luigi Cherubini, Matthew Polenzani, Medea, Sir David McVicar, Sondra Radvanovsky, Zoie Reams | 5 Comments