Tag Archives: Richard Wagner

Seven Liebestod questions for Christopher Mokrzewski

Posted on January 29, 2013 by barczablog

On Saturday February 2nd as part of the Opera Exchange colloquium on Richard Wagner’s Tristan und Isolde, with a nod to the composer’s bicentennial, pianist Christopher Mokrzewski will be playing Franz Liszt’s transcription of the liebestod for piano solo. Mokrzewski … Continue reading →

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Heppner, Sellars & Viola: Tristan in Toronto

Posted on January 26, 2013 by barczablog

It’s really good. That’s all you need to know.  The Canadian Opera Company’s imported production of Wagner’s Tristan und Isolde (originally presented in Paris in 2005), directed by Peter Sellars with video by Bill Viola is quite simply unforgettable.   And … Continue reading →

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From Troyens to Tristan

Posted on January 16, 2013 by barczablog

December seemed to be a month obsessively occupied by Hector Berlioz, particularly Les Troyens in versions onstage at the Met, the High Definition transmission, DVDs, plus the score at home.  It’s January, and Berlioz is still echoing through the corridors … Continue reading →

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The eternal question

Posted on September 30, 2012 by barczablog

Paper or plastic?  Shaken or stirred? How about Verdi or Wagner?  That was one big question tonight.  While some people chose to attend the opening of the COC’s Il trovatore, I opted for Wagner, namely Die Walküre.  Oh dear, …I’m … Continue reading →

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Fry and Wagner

Posted on September 28, 2012 by barczablog

It’s almost 2013, the bi-centennial for both Giuseppe Verdi & Richard Wagner (that is, a pair of composers born in 1813). Last night I watched the dress rehearsal of Il trovatore at the Canadian Opera Company’s Four Seasons Centre.  Tonight … Continue reading →

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Herheim’s Bayreuth Parsifal

Posted on August 14, 2012 by barczablog

I saw Stefan Herheim’s Parsifal tonight via the miracle of the internet, a complex take on the opera that rewards the serious viewer/listener.  I found it here, via links that may not be live much longer.  If you want to … Continue reading →

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Above the clouds

Posted on August 10, 2012 by barczablog

Last weekend John Terauds used the occasion of the Simcoe Day holiday to celebrate the quintessential Torontonian composer, Godfrey Ridout. It reminds me of a time long ago, when I took a course taught by two giants at the Faculty … Continue reading →

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Met Walküre

Posted on April 14, 2012 by barczablog

Before I begin this review, I want to give a quick shout out to my pal Robert. “Salut Robert.  Oui je sais que je suis “easy”, ou, comme on dit  “You had me at “Wes Herd dies auch sei/ hier … Continue reading →

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Freud & Jung, Shore & Wagner

Posted on April 2, 2012 by barczablog

A Dangerous Method is David Cronenberg’s recent film concerning a fascinating triangle.  The two men are analysts Sigmund Freud & Carl Jung.  And then there’s Sabina Spielrein, who was both patient & lover of Jung.  While there’s a domestic triangle … Continue reading →

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COC Parsifal

Posted on February 25, 2012 by barczablog

Richard Wagner figures prominently in the Canadian Opera Company’s plans.  Two Wagner operas, not one were announced for the future. You may have missed any mention of the second opera.  The announcement of the 2012-2013 season (a year of world-wide … Continue reading →

Posted in Essays, Opera | Tagged , , , , , | 2 Comments