Author Archives: barczablog

Egoyan: teaching us how to hear

Posted on April 20, 2013 by barczablog

I was certainly ready for the concert I attended tonight at Glenn Gould studio, to launch Eve Egoyans CD 5 .  Work had drained me, and yes, i’d been listening to her CD a great deal. I found myself thinking … Continue reading →

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Lucia meets Carrie

Posted on April 18, 2013 by barczablog

Tonight the Canadian Opera Company opened their new production of Donizetti’s Lucia di Lammermoor, the dark tale of a bride forced to marry against her will who goes mad on her wedding night, killing her new husband.  This is not … Continue reading →

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Duo Concertante: Beethoven Violin Sonatas

Posted on April 17, 2013 by barczablog

When one thinks of Beethoven cycles, the mind immediately thinks of symphonies, piano sonatas and string quartets, forms in which we see the complete range of the composer’s voice.  The early ones remind us of Beethoven’s influences, such as Mozart … Continue reading →

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10 Questions for Rufus Müller

Posted on April 15, 2013 by barczablog

Rufus Müller was acclaimed by The New York Times following a performance in Carnegie Hall as “…easily the best tenor I have heard in a live Messiah.”  The British/German tenor is celebrated as the Evangelist in Bach’s Passions,  and his … Continue reading →

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Eve Egoyan 5: reinventing the tone-row

Posted on April 15, 2013 by barczablog

Isn’t that life, in a way: trying to accommodate dissonance –Ann Southam In the realm of disco or heavy metal, we’re told to turn up the volume.  I saw something new, though, on the booklet for Eve Egoyan’s CD 5.  … Continue reading →

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Adès contra Parsifal

Posted on April 13, 2013 by barczablog

Ever notice that conversations can reinforce and honour contrary positions? When you sit down with someone over latkes, beers or (name your pleasure), the celebration and enactment of community & indeed, communion, makes the points where you diverge immaterial. You … Continue reading →

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10 Questions for Stephen Costello

Posted on April 10, 2013 by barczablog

The fast-rising young tenor Stephen Costello has firmly established himself as one of the current generation’s most impressive artists.  He came to national attention in 2007 when, at age 26, he debuted at the Met’s season-opening night and was quickly … Continue reading →

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Topher and “The French Connection”

Posted on April 9, 2013 by barczablog

I couldn’t help understanding Topher Mokrzewski’s concert today at the Richard Bradshaw Auditorium (the intimate concert space in the upper lobby of the Four Seasons Centre) as a goodbye.  As is usual, the introduction told us a bit of the … Continue reading →

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Ten questions for Eve Egoyan

Posted on April 7, 2013 by barczablog

Eve Egoyan specializes in the performance of new works. Her intense focus, command of the instrument, insightful interpretations and unique programmes welcome audiences into unknown territory, bridging the gap between them and contemporary composers. “I am passionate about all the … Continue reading →

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Fatal infidelity

Posted on April 7, 2013 by barczablog

When people meet and become interested in one another, they decide they want to be near one another.  Their growing rapport leads to growing closeness. And they make promises, some in words, others of a more legal sort. Later people … Continue reading →

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