Category Archives: Music and musicology

Vittorio Ghielmi dreaming Jupiter

Posted on February 8, 2020 by barczablog

“Dreaming Jupiter” is the name of the concert program this week from Tafelmusik at Jeanne Lamon Hall, that might epitomize everything about their approach to making music. Where the Toronto Symphony are lately the place you go hear the pieces … Continue reading →

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TSO and the joys of youth

Posted on February 3, 2020 by barczablog

At its height one isn’t aware of it at all, but only when it’s fading or gone. The word gets thrown about mostly by those who don’t have it anymore, enviously looking back. (guilty) But the weekend’s Toronto Symphony concert … Continue reading →

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Brilliantly Problematic Porgy & Bess

Posted on February 2, 2020 by barczablog

Don’t let the headline fool you. When you see that the Metropolitan Opera are producing The Gershwins’ Porgy & Bess for the first time in almost thirty years, seemingly selling every ticket to every performance, you might well ask them: … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | 3 Comments

The Lost Karaoke Tapes

Posted on January 31, 2020 by barczablog

I’m impressed. Nicole Lizée has more reason to be pompous & full of herself than any composer or performer I know. But she seems to be totally unpretentious. Exhibit “A”: the piece we saw & heard tonight is called “Karappo … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Personal ruminations & essays, Popular music & culture, Psychology and perception, Reviews | Tagged , , , , , , , , , , , , , , , | 3 Comments

Money is the root of all opera

Posted on January 26, 2020 by barczablog

You probably didn’t expect that did you? Did you anticipate where that sentence was going? It starts like a truism that we hear so often about money being the root of all evil, which I can relate to heartily. How … Continue reading →

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Scappucci’s show: a Better Barber

Posted on January 20, 2020 by barczablog

The Canadian Opera Company have revived their production of Rossini’s Barber of Seville.  We saw it in 2015, a creation of the Spanish theatre troupe Els Comediants led by the team of director Joan Font & set/costume designer Joan Guillén. … Continue reading →

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To New York with Gershwin

Posted on January 14, 2020 by barczablog

Sometimes I have a fear of flying. I usually love the takeoff & normally sit by the window but when there’s turbulence I like to distract myself. On a trip to New York what better subject could one find than … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Popular music & culture, Reviews, University life | Tagged , , , , , , | 1 Comment

Met HD Wozzeck

Posted on January 13, 2020 by barczablog

They say it’s a co-production, this new Wozzeck that was broadcast in High Definition this past weekend from the Metropolitan Opera: “A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia.” The co-pro of … Continue reading →

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Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Lisztomania CD

Posted on December 30, 2019 by barczablog

Lisztomania? It was a Ken Russell film. And the name described an actual phenomenon, crazed admirers of the great pianist Franz Liszt aka Liszt Ferenc back in the 19th Century. And there’s a CD from Mikolaj Warszynski, capturing a live … Continue reading →

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