Category Archives: Music and musicology

Perfecting Persée

Posted on April 28, 2014 by barczablog

This morning I wondered, hm will I have anything to say?  This is Opera Atelier’s third Persée this millennium.  And now I have so much to say that I’ll probably have to split it into at least two separate posts.  … Continue reading →

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Rick Sacks’ free concert tomorrow

Posted on April 23, 2014 by barczablog

“Press releases and announcements” are presented verbatim without comment Join Arraymusic’s Rick Sacks for a noon hour concert at the C.O.C.   presents Rick Sacks’ Solo MalletKat Concert Thursday., April 24, Noon The Richard Bradshaw Amphitheatre (southeast corner of Queen … Continue reading →

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Cobalt

Posted on April 23, 2014 by barczablog

It’s a colour.  It’s an element.  And most recently, it’s Jocelyn Morlock’s CD that I’ve been playing incessantly. I first encountered Morlock as one of the composers in the workshop experience of Tapestry Briefs,  a process whimsically compared to speed-dating. … Continue reading →

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Fawn Opera: l’Homme et le Ciel

Posted on April 12, 2014 by barczablog

I witnessed a clinic on how to create buzz. Let’s review. Social media spread the word about L’Homme et le Ciel, an opera in progress from Fawn Opera.  This past week, the performers did a workshop, and then opened it … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , | 7 Comments

Giasone: Back to the Future

Posted on April 7, 2014 by barczablog

What a weekend.  While I only managed to get to three things in three days (Tap:Ex Friday, Hercules Saturday, and Giasone today) I feel I’ve been to a symposium studying the possibilities for opera.  It’s a happy accident that the … Continue reading →

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Tapestry’s Revolutionary Questions

Posted on April 5, 2014 by barczablog

I apologized to Michael Mori –Tapestry Opera’s Artistic Director & the director of Tap:Ex Revolutions, the program that opened tonight at the Ernest Balmer Studio—after the show for what I knew was going to say.  Not critical words, but rather, … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Reviews | Tagged , , , , | 2 Comments

CASP at RBA

Posted on March 27, 2014 by barczablog

I’d like to call the Canadian Art Song Project a recent initiative, but I think the truth is that they’ve been around since 2011 and so I’m late to the party. Today was my first encounter with CASP. They were … Continue reading →

Posted in Music and musicology, Opera, Reviews | 4 Comments

Any interpreter

Posted on March 27, 2014 by barczablog

Am I like everyone else? Could be. I know people who get bored with music, are incessantly searching for new tunes, new interpretations, new sensations.  I don’t use that B word, which strikes me as a kind of obscenity.  How … Continue reading →

Posted in Music and musicology, Personal ruminations & essays | 5 Comments

10 Questions for Laura Pudwell

Posted on March 21, 2014 by barczablog

Laura Pudwell’s reputation as a superb vocalist has been well-established as a result of her performances worldwide, in a vast repertoire ranging from early music to contemporary works. I’ve been watching her engaging performances for many years, fascinated by her … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , , | 3 Comments

Voices to discover

Posted on March 20, 2014 by barczablog

The media give us interfaces with the arts.  Yes, we can go see plays, concerts & operas in person.  But what are the credentials of those voices on TV, radio, in newspapers and elsewhere?  We’ve all heard that  line “those … Continue reading →

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