Category Archives: Opera

Hadrian’s Dramaturg: Questions for Cori Ellison

Posted on October 6, 2018 by barczablog

Cori Ellison is the Dramaturg for the Canadian Opera Company’s world premiere production of Hadrian¸composed by Rufus Wainwright and with libretto by Daniel MacIvor. Cori Ellison, a leading creative figure in the opera world, was recently appointed staff Dramaturg at … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Opera | Tagged , , , , , , , , , , , , , , , , , | 1 Comment

Homecoming for Carsen’s Eugene Onegin

Posted on October 1, 2018 by barczablog

Better late than never, the Canadian Opera Company have premiered Robert Carsen’s Eugene Onegin, a production originally premiered at the Metropolitan Opera in 1997. It’s a triumph of Canadian talent on all sides, from the sets & costumes by Michael … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , , , , , , | Leave a comment

I Call myself Princess

Posted on September 12, 2018 by barczablog

I watched and listened to the second preview of I Call Myself Princess, Jani Lauzon’s impressive new play with opera, presented at Aki Studio in a collaboration between A Paper Canoe Projects, Cahoots Theatre and Native Earth Performing Arts. Genre … Continue reading →

Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , , , , | 1 Comment

24 ways of looking at Winterreise      

Posted on September 6, 2018 by barczablog

Tonight’s event at Lula Lounge from Tongue in Cheek Productions was not your typical song cycle. Yes we did get the 24 songs in Schubert’s romantic Winterreise, or “winter journey”.  But instead of a single singer going along that cold … Continue reading →

Posted in Music and musicology, Opera, Popular music & culture, Reviews | Tagged , , , , , | 6 Comments

Exploring: Liszt and the Symphonic Poem

Posted on August 22, 2018 by barczablog

Serendipity leads me in my choices at the library. Sometimes I get lucky. There is so much more to Liszt than his abilities as a pianist, or his virtuoso compositions for piano such as the Hungarian Rhapsodies. Did you first … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , | Leave a comment

Wolastoqiyik Lintuwakonawa (Our Maliseets Songs) from Jeremy Dutcher

Posted on August 17, 2018 by barczablog

I’ve been listening to Jeremy Dutcher’s debut CD, Wolastoqiyik Lintuwakonawa. When I googled to try to find out what that means, the phrase “Our Maliseets Songs” came up. Wikipedia tells me that “The Wolastoqiyik, or Maliseet are an Algonquian-speaking First … Continue reading →

Posted in Music and musicology, Opera, Spirituality & Religion | Tagged , , , | 3 Comments

Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 3 Comments

L’Histoire du Toronto Summer Music

Posted on July 20, 2018 by barczablog

It was all there tonight, on the stage of Koerner Hall. Sometimes concerts are microcosms that allow you to see and grasp everything in one lucid moment. It’s the second year of Jonathan Crow’s tenure as Artistic Director of the … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , , | Leave a comment

Parsifal Bayerische Staatsoper 2018

Posted on July 10, 2018 by barczablog

As a Canadian I regularly see pleasant but undistinguished productions that are enjoyable for some aspects, while leaving me unsatisfied overall. The performance of Parsifal that I watched tonight live-streamed from the Bavarian State Opera, sung and played with such … Continue reading →

Posted in Art, Architecture & Design, Opera, Reviews | Tagged , , , , , , , , , , , , , , , , | 2 Comments

1960 Les Troyens

Posted on July 5, 2018 by barczablog

It’s a testament to what might have been, this CD I’m reviewing, a relic to be sure.  In 1960 the stars didn’t quite align, wouldn’t permit the recording that was intended, Sir Thomas Beecham engaged to conduct Hector Berlioz’s mammoth … Continue reading →

Posted in Music and musicology, Opera | Tagged , , , , , | 2 Comments