Category Archives: Opera

Gloriana

Posted on November 25, 2013 by barczablog

It’s such a privilege to see a rare work.  Whatever else I might say about the Voicebox/Opera in Concert presentation of Benjamin Britten’s Gloriana on the occasion of the composer’s centennial, I’m thankful for this encounter with the score. This … Continue reading →

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Tcherniakov’s Serendipitous Trovatore

Posted on November 11, 2013 by barczablog

Having seen a small local production of Verdi’s Il trovatore in Richmond Hill Saturday night, the tunes & situations were very fresh in my head tonight for a broadcast of a 2012 production of the very same opera with big … Continue reading →

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Opera York: True to Verdi

Posted on November 10, 2013 by barczablog

It’s exciting when you get a chance to test an offbeat theory, and even more exciting when you prove it. Giuseppe Verdi’s Il trovatore was at one time –perhaps at the end of the 19th century—the most popular opera in … Continue reading →

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R.I.P.

Posted on October 28, 2013 by barczablog

“Requiescat in Pace” is the last line in the third of three operas presented by Opera 5, namely Cecilia Livingston’s The Masque of the Red Death, whereby we had the name for the evening’s program. I wonder if Poe’s story … Continue reading →

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The Italian Lesson

Posted on October 27, 2013 by barczablog

Yesterday I was on the University of Western Ontario campus, attending a special performance of Lee Hoiby’s The Italian Lesson in a production from Diva Lounge Productions.  UWO welcomed back alumnae Sonja Gustafson (soprano & Diva Lounge founder) and Tanya … Continue reading →

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Opera Atelier Abduction from the Seraglio

Posted on October 25, 2013 by barczablog

I had a wonderful time at the dress rehearsal for Opera Atelier’s new Abduction from the Seraglio.  It’s a remount but as usual they probed more deeply this time, accentuating the comic elements of the work.  Anyone who’s seen this … Continue reading →

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Ten Questions for Mark Shulgasser

Posted on October 20, 2013 by barczablog

Mark Shulgasser is a librettist especially known for his collaborations with composer Lee Hoiby.  They created several operas together, until Hoiby’s passing in 2011.  One might call Shulgasser a champion for Hoiby’s work, except that I believe Shulgasser is still … Continue reading →

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COC Peter Grimes

Posted on October 18, 2013 by barczablog

Tonight I saw the Canadian Opera Company production of Benjamin Britten’s Peter Grimes.  I’m late getting to the party for a production that opened on October 5th, but I was out of town that weekend.  Regular readers of newspaper reviews … Continue reading →

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10 Questions for Ileana Montalbetti

Posted on October 14, 2013 by barczablog

Canadian soprano Ileana Montalbetti has been one of the standouts in the new Canadian Opera Company production of Peter Grimes.  The Toronto Star’s review, for instance says “when we start to consider Ileana Montalbetti’s saintly Ellen Orford, we are in … Continue reading →

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10 Questions for Cecilia Livingston

Posted on October 14, 2013 by barczablog

Known across Canada and the US for her vocal music, Cecilia Livingston is deeply involved in Toronto’s choral and opera communities, with a special focus on writing music for women’s voices. She looks forward to projects in 2014-2015 in collaboration … Continue reading →

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