Category Archives: Reviews

Naomi’s Road leads to Toronto

Posted on November 17, 2016 by barczablog

Tonight I saw Naomi’s Road, an opera with libretto by Ann Hodges & music composed by Ramona Luengen, based on a novel by Joy Kogawa, to open Tapestry Opera’s 2016-17 season. Tapestry Artistic Director explained before the show’s presentation at … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

Berlin Philharmonic, Rattle, Boulez & Mahler

Posted on November 16, 2016 by barczablog

Tonight was the first of two concerts by the Berlin Philharmonic Orchestra presented at Roy Thomson Hall. I think this is the closest I’ve seen to “full” in the space, as every seat appeared to be occupied, and no wonder. … Continue reading →

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Perlman’s Cinema Serenade: vol 1 & 2

Posted on November 14, 2016 by barczablog

You think you know someone, what they’re all about, and what they really like. That can be true of your friends, or of famous artists, where they surprise you with a hidden dimension, an unexpected interest. I thought I knew … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Reviews | Leave a comment

Ayre: An Evening of Osvaldo Golijov

Posted on November 11, 2016 by barczablog

When the organizational wizards of Against the Grain Theatre decided to present Ayre: An Evening of Osvaldo Golijov beginning November 10th I doubt that anyone recognized the significance of the date.  Had the American electorate made their expected repudiation of … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | 1 Comment

Farewell Norma

Posted on November 6, 2016 by barczablog

I had another look at the Canadian Opera Company’s Norma tonight, the closing performance of their fall season. It was both a chance to get a closer look as well as to see a slightly different cast. Elza van den … Continue reading →

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TSO exhibit Elfman – Burton brilliance

Posted on October 31, 2016 by barczablog

While there are still two months left in 2016 I am pretty sure that I just saw the best concert of the year, and I didn’t see it coming.  At the intermission I was musing to myself that I had … Continue reading →

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All But Gone

Posted on October 29, 2016 by barczablog

When you’re ushered into the chapel for a wedding, sometimes they ask you “bride or groom?” That’s to identify where you should sit. I was thinking of that quaint custom as I came into the Berkeley Street theatre tonight for … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Leave a comment

That other Aeneas and Dido story

Posted on October 25, 2016 by barczablog

It was a funny coincidence. When I ran into David Fallis the other day –an encounter I mentioned in my recent review of Purcell’s Dido and Aeneas—I showed him a DVD I was returning to the library, the Fura del … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 1 Comment

Ariodante questions

Posted on October 24, 2016 by barczablog

My second time through the Canadian Opera Company’s Ariodante yesterday raised more questions in my mind. There are the vocal questions, ones that aren’t new.  I have long wondered about the way we perceive operatic performance, that a perfect performance … Continue reading →

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Opera Atelier creates a new Dido and Aeneas

Posted on October 21, 2016 by barczablog

Opera Atelier and Purcell’s Dido and Aeneas go back a long way. This was the opera with which they began, thirty years ago. But this is not the same opera. Tonight we saw a new creation unveiled, an expanded version … Continue reading →

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