Category Archives: Dance, theatre & musicals

Extensions of Us 11.13.14 Questions and Answers

Posted on November 1, 2014 by barczablog

The program was created as a reaction to our experiences as recital performers and audience members. We come to this process with a great love for the art form, but also with a combined knowledge and experience as to its … Continue reading →

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Happy Halloween, Frankenstein’s Boy!

Posted on October 26, 2014 by barczablog

The song during the pre-show was a tip-off I suppose. While the title says the show is about a boy, this song says otherwise. And there it is, right on the poster. Eldritch Theatre’s newest is Frankenstein’s Boy, a classic … Continue reading →

Posted in Dance, theatre & musicals, Reviews | 1 Comment

Factory Theatre vs the critics

Posted on September 27, 2014 by barczablog

For the second consecutive year, Factory Theatre is in the news.  Last year it was the controversy around its leadership.   That’s ancient history now. This time it’s an announcement, that critics aren’t invited until the show has already been on … Continue reading →

Posted in Dance, theatre & musicals, Popular music & culture | 2 Comments

Ten questions for Eric Woolfe

Posted on September 18, 2014 by barczablog

While I sometimes aim to write the bio that goes into an interview, sometimes I can’t top the brilliance of what I’m given to work with. For instance, the origins of Eldritch Theatre are explained this way on their website: … Continue reading →

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Kadozuke’s Richard III: right out of today’s headlines

Posted on September 11, 2014 by barczablog

Tatiana Jennings seems prescient. I understand that she and her collaborators in Kadozuke Kollektif and Bad New Days have been working on their adaptation of Shakespeare’s Richard III for awhile, a piece titled Richard III: the pleasures of violence. How … Continue reading →

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Ten Questions for Tatiana Jennings

Posted on September 1, 2014 by barczablog

Tatiana Jennings is a Russian born and trained actor, director, dancer and choreographer. She studied theatre and film at the Russian Academy of Theatre Arts and was a star of the Moscow experimental theatre scene. Her solo performance Madame Marguerite … Continue reading →

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Mother Courage

Posted on July 25, 2014 by barczablog

I just saw Seana McKenna tonight as Mother Courage aka Anna Fierling in Brecht’s play Mother Courage and Her Children, at the Tom Patterson Theatre until September 21st. It’s a horrible week in the news, between civilian planes being shot … Continue reading →

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Crazy For You

Posted on July 24, 2014 by barczablog

It’s summertime, when the livin’ is easy: and Gershwin might be on my mind right now. Summer  musicals are taking over the stages at summer festivals in Stratford & Niagara-on-the-Lake. Crazy For You –the show I saw today at Stratford—is … Continue reading →

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StageWorks Assassins

Posted on July 18, 2014 by barczablog

Tonight I saw opening night of StageWorks new production of Assassins, an occasion that any serious fan of the musical theatre form must celebrate.  The score by Stephen Sondheim is challenging. The material in John Weidman’s book is electrifying, and … Continue reading →

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Ten Questions for Hugh Ritchie

Posted on July 10, 2014 by barczablog

I first met Hugh Ritchie at Ryerson this winter, where we worked together on an adaptation of Dickens’ Martin Chuzzlewit. At one point in the show he was all pastoral Americana, singing a down-home “Little Brown Jug”, even though he … Continue reading →

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