Category Archives: Reviews

TSO + Davis = Mahler magic

Posted on May 17, 2019 by barczablog

I marked this one down on my calendar a long time ago, even though tonight on May 16th is a key date for other reasons… It’s COC’s Operanation It’s the world premiere of Shanawdithit, the co-pro from Tapestry / Opera … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , | Leave a comment

COC Otello

Posted on May 1, 2019 by barczablog

On paper the Canadian Opera Company’s new offering, an English National Opera production of Verdi’s Otello directed by David Alden and starring Russell Thomas, Gerald Finley & Tamara Wilson is as good as it gets. It’s an incredible luxury to … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , | Leave a comment

Tafelmusik: The Hunt

Posted on April 26, 2019 by barczablog

Jeanne Lamon was back tonight to lead Tafelmusik in Jeanne Lamon Hall at St-Paul’s Centre. There’s a quiet recognition of the journey made together. While Lamon is now called “Music Director Emerita,” recognizing a new role as a kind of … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , | Leave a comment

Resurrection Symphony: that’s how to do it

Posted on April 19, 2019 by barczablog

Tonight was the second of three performances of Mahler’s 2nd Symphony by the Toronto Symphony at Roy Thomson Hall. It’s known as the Resurrection symphony. I’d recommend it to three different groups of people: If you’re religious and conscious of … Continue reading →

Posted in Music and musicology, Reviews, Spirituality & Religion | Tagged , , , , , , , | Leave a comment

Old-fashioned Boheme

Posted on April 18, 2019 by barczablog

Tonight was the opening performance of the Canadian Opera Company’s revival of John Caird’s production of La Boheme directed by Katherine M. Carter. As with their earlier return to Atom Egoyan’s Cosi fan tutte a few months ago, the concept … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , | 3 Comments

Youthful leader inspires TSO

Posted on April 14, 2019 by barczablog

Maybe I’m exaggerating. Kerem Hasan is 27 after all, and we aren’t supposed to be ageist anymore in the 21st century. The conventional wisdom says that an experienced maestro is the ideal leader of an orchestra. But tonight I saw … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , | Leave a comment

Boisterously brilliant Bigre

Posted on April 12, 2019 by barczablog

Watching people tortured can be funny. Bigre, a Compagnie le fils du Grand Réseau Production, presented by Canadian Stage in collaboration with Théâtre Francaise de Toronto, opened tonight at the Berkeley St Theatre. In our modern gentrified cities, the impossibly … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , , , , | Leave a comment

Idomeneo: Marshall Law

Posted on April 5, 2019 by barczablog

The question running through my head as I watched tonight’s opening of Opera Atelier’s Idomeneo at the Ed Mirvish Theatre was: “who is the star?” In this their first performance in a new venue I could say “it’s the space”.  … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | Leave a comment

887: a quest for redemption for Robert Lepage

Posted on April 2, 2019 by barczablog

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading →

Posted in Dance, theatre & musicals, Opera, Politics, Reviews | Tagged , , , , | Leave a comment

The Woods are Dark and Deep: is good

Posted on March 25, 2019 by barczablog

You will laugh, you will cry, and you will certainly enjoy The Woods are Dark and Deep, a new work I have just seen today at the Factory Theatre, from Pulse Theatre. When you go see a new work performed … Continue reading →

Posted in Dance, theatre & musicals, Politics, Reviews | Tagged , , , | Leave a comment