Category Archives: Dance, theatre & musicals

Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

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Questions for Beste Kalender

Posted on December 18, 2019 by barczablog

Beste Kalender could tell you about the different pathways to success. One can be discovered in competitions, especially if one wins. You can be mentored by great singers. There’s even the Hollywood legend, the understudy going on as last minute … Continue reading →

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Melancholiac at Music Gallery

Posted on December 8, 2019 by barczablog

The best works of theatre or music function as advocacy for the creator. A good production of a play, a great performance of a song, should persuade you of the importance of the work & its author. Melancholiac: The Music … Continue reading →

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Questions about Melancholiac: the Music of Scott Walker

Posted on November 28, 2019 by barczablog

Long ago I stumbled upon Scott Walker, via a cassette with the hand-written inscription The Godlike Genius of Scott Walker. I remember wondering: is this for real? What may have been at least part ironic self-mockery was upon closer inspection … Continue reading →

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Oxymoronic Augmented Opera

Posted on November 23, 2019 by barczablog

I don’t use that word lightly, and it’s not an insult. Some operas are oxymoronic, rife with contradiction, asymptotic in their fascination with impossibilities. Maeterlinck’s play Pelléas et Mélisande is the creation of a playwright who cringed in the presence … Continue reading →

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New & Improved Don Giovanni

Posted on November 3, 2019 by barczablog

I saw Opera Atelier’s revival of Don Giovanni that’s running at the Ed Mirvish Theatre.  I loved it last time & it continues to thrill me as though it weren’t an opera I’ve known since childhood. But it feels new.  … Continue reading →

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The Bald Soprano

Posted on October 31, 2019 by barczablog

I’ve just seen the Théâtre Français de Toronto production of La Cantatrice Chauve aka The Bald Soprano by Eugène Ionesco, at the upstairs space at the Berkeley Street Theatre. I must apologize that the run is almost over, as I … Continue reading →

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Nightwood Theatre: Strombergs Family Realization Fund winner

Posted on October 19, 2019 by barczablog

Nightwood Theatre is pleased to announce the winner of the inaugural Strombergs Family Realization Fund: Dian Marie Bridge. This $10,000 cash award, established by theatre director Vinetta Strombergs in honour of her artist parents, is intended to support a woman … Continue reading →

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Resonant Minorities

Posted on October 18, 2019 by barczablog

Tonight I was present at the Canadian premiere of Yang Zhen’s third installment of his “Revolution Game Trilogy”, Minorities, a Red Virgo production presented by Canadian Stage. You will recognize many things in this show. We watch five female dancers later … Continue reading →

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Imagining the unimaginable or why we need a #GlobalClimateStrike

Posted on September 27, 2019 by barczablog

I boarded this train of thought last week in preparation for church. I was the substitute music director in a Sunday without the choir, seeking joy while pondering darker thoughts. I don’t pretend to know how I happened to be … Continue reading →

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